{"id":1964,"date":"2019-07-04T23:51:00","date_gmt":"2019-07-04T23:51:00","guid":{"rendered":"https:\/\/dept.writing.wisc.edu\/wac\/?p=1964"},"modified":"2019-07-22T22:47:51","modified_gmt":"2019-07-22T22:47:51","slug":"two-extra-credit-writing-assignments-for-east-asian-353-literature-asian-languages-and-culture-353","status":"publish","type":"post","link":"https:\/\/dept.writing.wisc.edu\/wac\/two-extra-credit-writing-assignments-for-east-asian-353-literature-asian-languages-and-culture-353\/","title":{"rendered":"TWO EXTRA-CREDIT WRITING ASSIGNMENTS FOR EAST ASIAN 353 &#038; LITERATURE\/ASIAN LANGUAGES AND CULTURE 353"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1964\" class=\"elementor elementor-1964 elementor-bc-flex-widget\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f12bdbe elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f12bdbe\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b4d4255\" data-id=\"b4d4255\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7ad2b21 elementor-widget elementor-widget-text-editor\" data-id=\"7ad2b21\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h2 style=\"margin-top: 0px; margin-bottom: 0px; font-weight: normal; line-height: 1;\"><span style=\"font-size: 19px;\">Professor charo D&#8217;etcheverry<\/span><\/h2><h2 style=\"margin-top: 0px; margin-bottom: 0px; font-weight: normal; line-height: 1;\"><span style=\"font-size: 19px;\">department of asian languages and cultures<\/span><\/h2><div><span style=\"font-size: 19px;\">(<i>SURVEY OF CLASSICAL JAPANESE; LOVERS, WARRIORS, AND MONKS)<\/i><\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-423f5fd elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"423f5fd\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5869f83\" data-id=\"5869f83\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-312eb85 elementor-widget elementor-widget-text-editor\" data-id=\"312eb85\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\">It&#8217;s tough to get everyone excited about classical Japanese literature: too many descriptions of clothing and gradations of ink. This is a problem, because court poetry&#8211;which connects many genres in my field&#8211;references both texts and textiles frequently. Poets use patterns as metaphors for feelings, compare the depth of their passion to that of dyes, and show off by describing luxurious fabrics and colors. Help!<\/p><p class=\"p1\">Enter the fabulous team at UW-Madison\u2019s School of Human Ecology (SoHE) \u2014Sherry Harlacher, Natasha Thoreson, &amp; their helpers\u2014who spin stories about textiles, with real visuals, Q &amp; A, and things to touch. I can&#8217;t say enough about class visits to the lab and standing opportunities to write poems about objects in drawers has improved sensitivity to print descriptions. The SoHE team&#8217;s presentations on specific techniques as well as themes in collecting have really opened my students\u2019 eyes to how material culture shapes ideas and their literary expression.<\/p><p class=\"p1\">To build on these mandatory field-trips, by relating them more closely to Japanese texts, I\u2019ve created paired extra-credit assignments. While I don\u2019t require students to complete them, many do\u2014and not just for the points, as the high response-rate for this option attests. Instead, these assignments take advantage of both gorgeous objects and the chance to play by adapting court poetry to our own time and place.<\/p><p class=\"p1\">As shown below, the first assignment asks students to write a short poem in English, demonstrating knowledge of a course text (<em>Tales of Ise<\/em>, about an amorous hero\u2019s varied relationships) as well as the rules of Japanese court verse. The second assignment responds to a classmate\u2019s poem, revisiting those rules and a point stressed in lecture: Japanese court poetry is a social art. We then discuss examples in class. That helps to build community early in the semester, a nice bonus. I have also found that these exercises allay anxiety about my mandatory writing assignments: close readings of actual court poems. Once you\u2019ve written a couple yourself, deciphering them is not so intimidating. Students also realize that classical Japanese writers had fun, too. That makes for MUCH better close readings, and lots of laughs.<\/p><p class=\"p1\"><strong>Assignment #1:<\/strong><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Choose one item in the drawers in the Lynn Mecklenburg Reading Room in SoHE that you think Narihira could put to good poetic use.<\/em><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Describe its location (left, middle, or right side; number of drawers down from top).<\/em><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Speaking as Narihira, compose an English-language waka (5 lines, 31 syllables) that expresses your feelings for Takaiko, your sister (episode 49), or the old woman (episode 63). Use the item from step 2 to make your point. Please make sure to specific who the poem is for somewhere in the assignment.<\/em><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Remember, the distribution of syllables in waka is 5-7-5-7-7 (beats per line, first through fifth). I can&#8217;t wait to read what you come up with!<\/em><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Another reminder: the Reading Room&#8217;s hours this semester are M-F 8:30am-4:30pm. You could even pop in (briefly) to look through the drawers before class!<\/em><\/p><p class=\"p1\"><strong>Assignment #2:<\/strong><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Choose someone else\u2019s poem from the first extra-credit exercise (see Canvas). Go to the Mecklenburg Reading Room in SoHE, look at the textile that your classmate used, and write a response to Narihira highlighting at least one new feature of the object to make your point.<\/em><\/p><p class=\"p1\" style=\"padding-left: 30px;\"><em>\u2013 Remember to write as if you are the intended recipient (either Takaiko, Narihira\u2019s sister, or the old lady) of the first poem. How would she answer him? What feature(s) of the object can you use to make that point?<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Professor charo D&#8217;etcheverry department of asian languages and cultures (SURVEY OF CLASSICAL JAPANESE; LOVERS, WARRIORS, AND MONKS) It&#8217;s tough to get everyone excited about classical Japanese literature: too many descriptions of clothing and gradations of &hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1964","post","type-post","status-publish","format-standard","hentry","category-designing-effective-assignments-courses"],"acf":[],"_links":{"self":[{"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/posts\/1964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/comments?post=1964"}],"version-history":[{"count":5,"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/posts\/1964\/revisions"}],"predecessor-version":[{"id":2235,"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/posts\/1964\/revisions\/2235"}],"wp:attachment":[{"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/media?parent=1964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/categories?post=1964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dept.writing.wisc.edu\/wac\/wp-json\/wp\/v2\/tags?post=1964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}